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in winter..
.. it's like drinking black coffee trying to stay warm and keeping the cold out. the rain falls, the wind blows. some of you even get to see snow.in autumn..
.. it's a backyard in the suburbs, and hundreds leaves covering the green grass.in summer..
.. it's a night-time thing. out on the balcony (porch) with some beers and your friends.in spring..
.. it's the hope for a brighter day.
Rave Magazine, Brisbane
Buffalo Tom
Screamfeeder
Sam Shinazzi
The Zoo, Brisbane
Wednesday March 12, 2008
A headliner is his own right, Sydney singer-songwriter Sam Shinazzi brings a full band up to open the mid-week evening at The Zoo with his rocking melancholia. We’re offered an up-beat 'Game Over' from his 2005 release 'Stories You Wouldn’t Believe', which is still gaining significant momentum internationally. Also from that 2005 release, 'Scotty Come Home' features stark changes, both in tone and tempo that remind me to head to the bar for earplugs.
Persistence pays for local indie heroes Screamfeeder, who return to The Zoo stage in fine form despite having not played in a while. Perhaps significant for what they left out, Tim, Kellie and Steph stick to a decidedly older set list, with the Kitten Licks album getting a well deserved airing. Explode Your Friends features early, before the classics Static and Dart remind us of Screamfeeder’s local superstardom. The Space That’s Left helps the band dodge the more frequented material from Take You Apart, while Sushi Bowl takes us way back to the Burn Out Your Name release.
Returning with the original three-piece line-up to promote new album
Three Easy Pieces, Chicagoan indie rock merchants Buffalo Tom encounter
a willing, but expectant audience, many of them seasoned rockers themselves.
Predictably, the well known Let Me Come Over release is featured heavily
from the get-go, with Staples opening the set in guitar overdrive.
There are noticeable shifts in audience intensity throughout the night,
with Summer, Larry, Velvet Roof and set closer Tail Lights Fade all
providing peak moments.
Ending in a timewarp, they travel back to their first J. Mascis-produced
album in Sunflower Suit as singing guitarist Bill Janovitz alludes
to his fading voice, despite the obvious fact he sounds better after
the hour and a half of vocal stress.
JAMES STAFFORD.
